Standing Buddha in Gal ViharaStanding Buddha in Gal Vihara

Standing Buddha in Gal Vihara

Record: 6.93 m

The Gal Vihara (Sinhala: ගල් විහාරය), also known as Gal Viharaya and originally as the Uttararama, is a rock temple of the Buddha situated in the ancient city of Polonnaruwa in North Central Province, Sri Lanka. It was fashioned in the 12th century by Parakramabahu I. The central feature of the temple is four rock relief statues of the Buddha, which have been carved into the face of a large granite rock. The images consist of a large seated figure, another smaller seated figure inside an artificial cavern, a standing figure and a reclining figure. These are considered to be some of the best examples of ancient Sinhalese sculpting and carving arts, and have made the Gal Vihara the most visited monument at Polonnaruwa.

The images of Uttararama follow a different style from the images of the previous Anuradhapura period, and show some significant differences. The identity of the standing image is subject to a certain amount of dispute among historians and archaeologists, some of whom argue that it depicts the monk Ananda rather than the Buddha. Each of the images have been carved in a way that uses a maximum possible area of the rock, and their heights seem to have been decided based on the height of the rock itself. Each statue appears to have had its own image house, as indicated by the remains of brick walls at the site. The Uttararama was where Parakramabahu I held a congregation of monks to purify the Buddhist priesthood, and later drew up a code of conduct for them. This code of conduct has been recorded in an inscription on the same rock face containing the images of the Buddha.

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Standing image

The standing image is the focus of much discussion among historians and archaeologists, since there is a general belief that it is not a statue of the Buddha. The image is 22 feet 9 inches (6.93 m) tall, and stands on a low pedestal shaped like a lotus. It leans back in a relaxed manner, its arms folded across its chest. The statue's face carries a sorrowful expression and the reclining image—which depicts the Buddha's parinirvana—lies next to it, which has led some to believe that it is the monk Ānanda, who is lamenting the Buddha's demise at his deathbed. The remains of the walls, however, indicate that the two images were once in separate chambers, rather than next to each other. Paranavithana believes that the statue is of the Buddha, which depicts the para dukkha dukkhitha mudra or "sorrow for the sorrow of others". However, this is a rarely used gesture in Sinhalese sculpture, and is seen at only a few locations in the country. Another possibility is that the image shows the Buddha during his second week after enlightenment, which he spent gazing at the Bodhi Tree in gratitude for providing him shelter. The image is not mentioned in the Chulavamsa, which only mentions the other three. While this may be an indication that it is not an image of the Buddha, it is also possible that it may have been made at an earlier period than the others.

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Standing Buddha in Gal Vihara

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      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 1

      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 1

      • Standing Buddha in Gal Vihara

        The standing image depicts an unusual mudra. Standing Buddha in Gal Vihara 2

      • Standing Buddha in Gal Vihara

        The standing image depicts an unusual mudra. Standing Buddha in Gal Vihara 2

      • Standing Buddha in Gal Vihara

        El Buda de pie en el templo de roca de Gal Vihara, Polonnaruwa, Sri Lanka. La figura de 6,9 metros de altura tiene los brazos cruzados y los ojos cerrados, que difiere de otros Budas de pie de la época. Originalmente se pensaba que era el discípulo monje Anada Thero meditando junto al lecho de muerte del Buda reclinado. Standing Buddha in Gal Vihara 3

      • Standing Buddha in Gal Vihara

        El Buda de pie en el templo de roca de Gal Vihara, Polonnaruwa, Sri Lanka. La figura de 6,9 metros de altura tiene los brazos cruzados y los ojos cerrados, que difiere de otros Budas de pie de la época. Originalmente se pensaba que era el discípulo monje Anada Thero meditando junto al lecho de muerte del Buda reclinado. Standing Buddha in Gal Vihara 3

      • Standing Buddha in Gal Vihara

        Existe una fuerte evidencia de que es una estatua de Buda en pie y esto ha cambiado el pensamiento actual. Tiene rizos en racimos de cabello que solo se encuentran en imágenes de Buda y no en sus discípulos. La figura está parada en una meseta de hojas de loto que está reservada para Buda y no para sus discípulos. Las orejas son alargadas, que también está reservada para Buda y no para sus discípulos. Standing Buddha in Gal Vihara 4

      • Standing Buddha in Gal Vihara

        Existe una fuerte evidencia de que es una estatua de Buda en pie y esto ha cambiado el pensamiento actual. Tiene rizos en racimos de cabello que solo se encuentran en imágenes de Buda y no en sus discípulos. La figura está parada en una meseta de hojas de loto que está reservada para Buda y no para sus discípulos. Las orejas son alargadas, que también está reservada para Buda y no para sus discípulos. Standing Buddha in Gal Vihara 4

      • Standing Buddha in Gal Vihara

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      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 5

      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 6

      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 6

      • Standing Buddha in Gal Vihara

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      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 7

      • Standing Buddha in Gal Vihara

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      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 8

      • Standing Buddha in Gal Vihara

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      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 9

      • Standing Buddha in Gal Vihara

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      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 10

      • Standing Buddha in Gal Vihara

        The standing Buddha at the Gal Vihara rock temple, Polonnaruwa, Sri Lanka. The 6.9 metre tall figure has folded arms and closed eyes which differs from other standing Buddhas of the period. Originally thought to be the monk disciple Anada Thero meditating at the death bed of the reclining Buddha alongside. There is strong evidence that it is a standing Buddha statue and this has changed current thinking. It has curled clusters of hair only found on images of Buddha and not his disciples. The figure is standing on a lotus leaf plateau which is reserved for Buddha and not his disciples. The ears are elongated which is also reserved for Buddha and not his disciples. Standing Buddha in Gal Vihara 11

      • Standing Buddha in Gal Vihara

        The standing Buddha at the Gal Vihara rock temple, Polonnaruwa, Sri Lanka. The 6.9 metre tall figure has folded arms and closed eyes which differs from other standing Buddhas of the period. Originally thought to be the monk disciple Anada Thero meditating at the death bed of the reclining Buddha alongside. There is strong evidence that it is a standing Buddha statue and this has changed current thinking. It has curled clusters of hair only found on images of Buddha and not his disciples. The figure is standing on a lotus leaf plateau which is reserved for Buddha and not his disciples. The ears are elongated which is also reserved for Buddha and not his disciples. Standing Buddha in Gal Vihara 11

      • Standing Buddha in Gal Vihara

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      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 12

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      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 13

      • Standing Buddha in Gal Vihara

        A view of the reclining and standing Buddhas at the Gal Vihara rock temple. The reclining image, which depicts the Buddha's parinirvana, is the largest in Gal Vihara. Standing Buddha in Gal Vihara 14

      • Standing Buddha in Gal Vihara

        A view of the reclining and standing Buddhas at the Gal Vihara rock temple. The reclining image, which depicts the Buddha's parinirvana, is the largest in Gal Vihara. Standing Buddha in Gal Vihara 14

      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara 15

      • Standing Buddha in Gal Vihara

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      • Standing Buddha in Gal Vihara

        The seated image, which depicts the dhyana mudra, shows signs of Mahayana influence. Standing Buddha in Gal Vihara 16

      • Standing Buddha in Gal Vihara

        The seated image, which depicts the dhyana mudra, shows signs of Mahayana influence. Standing Buddha in Gal Vihara 16

      • Standing Buddha in Gal Vihara

        Un Buda sentado en el templo de roca de Gal Vihara, Polonnaruwa, Sri Lanka. Construido durante el reinado del rey Parakrabahu (1153-1186). Los Budas en este sitio están tallados en una gran roca sólida de granito. Este Buda sentado tiene 4,6 metros de altura. El Buda está sentado en un trono tallado. El asiento es una gran flor de loto con base de soporte tallada con flores y leones. La parte posterior está decorada con imágenes del dragón marino Makara que se origina en la mitología hindú. El gesto con la mano del Buda es Dyana Mudra, donde los pulgares de las dos manos se tocan para ayudar a crear la energía de la paz y la serenidad profundas. Esto es parte de una postura de meditación asociada con la primera iluminación de Buda (Nivana) durante la concentración mental llamada Samadhi. Hay indicios arqueológicos de que se construyó un edificio de ladrillo alrededor del Buda. Standing Buddha in Gal Vihara 17

      • Standing Buddha in Gal Vihara

        Un Buda sentado en el templo de roca de Gal Vihara, Polonnaruwa, Sri Lanka. Construido durante el reinado del rey Parakrabahu (1153-1186). Los Budas en este sitio están tallados en una gran roca sólida de granito. Este Buda sentado tiene 4,6 metros de altura. El Buda está sentado en un trono tallado. El asiento es una gran flor de loto con base de soporte tallada con flores y leones. La parte posterior está decorada con imágenes del dragón marino Makara que se origina en la mitología hindú. El gesto con la mano del Buda es Dyana Mudra, donde los pulgares de las dos manos se tocan para ayudar a crear la energía de la paz y la serenidad profundas. Esto es parte de una postura de meditación asociada con la primera iluminación de Buda (Nivana) durante la concentración mental llamada Samadhi. Hay indicios arqueológicos de que se construyó un edificio de ladrillo alrededor del Buda. Standing Buddha in Gal Vihara 17

      • Standing Buddha in Gal Vihara

        Gal Vihara Temple. Standing Buddha in Gal Vihara 18

      • Standing Buddha in Gal Vihara

        Gal Vihara Temple. Standing Buddha in Gal Vihara 18

      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara

      • Standing Buddha in Gal Vihara

        Standing Buddha in Gal Vihara